剧情简介《帝国[电影解说]》是上映于1987 年的电影解说 影视解说 影视作品， Short film Empire is based on a radio drama Sorry, Wrong Number by the American writer Lucille Fletcher. Actually, Sokurov draws on a single theme forming the background for the 《帝国[电影解说]》是上映于1987 年的电影解说 影视解说 影视作品， Short film Empire is based on a radio drama Sorry, Wrong Number by the American writer Lucille Fletcher. Actually, Sokurov draws on a single theme forming the background for the story of the thriller — the woman's illness… The heroine is bed–ridden and her only means of communication with the outside world is her telephone — until a killer interrupts the conversation… Sokurov removes all the dialogues, leaving us alone with the heroine — “a living skeleton” among the refined, with a touch of Modern–style, furnishings — who is listening to a radio broadcasting of Traviata, with its pleas for mercy and love. An elegant coffin–home is the spatial centre and symbolization of the entire film. And inside the coffin we certainly see the actress — the famous Russian ballerina Alla Osipenko who plays not only the heroine but also her own self. This metaphoric cinema–image bears an allusion to the great “handicapped” Sarah Bernhardt who was reported to sleep in a coffin, as well as to the entire complex of aesthetised Decadence, converting an apology of Death into a lifestyle. Here is the key to the code of the title. Empire is a style that attempted to reanimate the dead ancient harmony. The heroine of Sokurov's film communicates with her phone as the only partner, and sort of interferes with the beyond, attracting this air — intangible yet saturated with danger. It is from the radio air that she accumulates both pleasure and tranquillity — the aria of dying yet beloved Violetta, while the killer's silhouette materializes from the phone air. A chamber pot, overturned and spilt by the killer in haste, remains the only evidence of human activities in this boudoir of Death. Sokurov's metaphor, clad in naturalistic details, produces the effect of ironic disclosure: “a wet spot” is left after a symbol. The film was shot as a study work of a VGIK student S.Sidorov. At that time Sokurov did not have a chance to launch a project of his own, therefore he used this possibility to work. Visual conception of this film anticipates a considerable number of Sokurov's future experiments: light that models the space, levelling of colours, correlation of contrasting textures.详情
猜你喜欢笠智众,杉叶子,北原三枝,山根寿子,田中绢代
吴奇隆,李小冉,王维唯,董春辉,白志迪,许娣,丁怡,朱茵
劳伦斯·奥利弗,卡洛尔·琳蕾,凯尔·杜拉
布兰卡·苏亚雷斯,丹尼尔·格劳,阿瑞亚·贝得玛,科西莫·福斯科,Víctor,Palmero,丹尼尔·霍瓦斯,费尔南多·卡约,巴勃罗·里维罗,Juanma,Cifuentes,Andoni,García,María,Marnez,坎迪多·乌兰加,伊丽莎白·赫拉韦特,Mariel,Martinez,Kevin,Brand,Arwent,Martínez,Zoe,Munera,卡洛斯·曼努埃尔·迪亚兹,阿尔弗雷多·维拉,Coque,Serrano
陈数,翟天临,孙淳,种丹妮,梁丽,鲍大志,师悦玲,崔新琴,霍璇,常汝言,李悦然,张宁益,孙浩浩,李明震,李涓,上白,邢城,刘秀芝,周荣,胡嘉轩,吴济如,邱浩,冯丹菊,于翔,徐艺芳,郭沫,刘乃强,翟晓鸣,邓钢,王涵,麻骏,李德龙,鲁莽,牟芮,白鹭,孔明,胡姐,麻雅娜
朱迪·科默,阿尔菲·威廉姆斯,亚伦·泰勒-约翰逊,拉尔夫·费因斯,杰克·奥康奈尔,齐·刘易斯-帕里,艾德文·瑞丁,克里斯托弗·富尔福德,斯特拉·古奈特,艾琳·凯利曼,戈登·亚历山大,艾玛·莱尔德,金·艾伦,桑迪·巴切勒,毛拉·伯德,乔弗里·纽兰德,乔·布莱克莫尔,萨姆·洛克,吉哈兹·艾尔·鲁法埃,希利·克罗斯兰
本·福斯特,詹姆斯·戴尔,迈克尔·曼多,格雷厄姆·格林,罗利·科奇瑞恩,梅丽莎·里奥,里特奇·科斯特,乔治·卡罗尔,妮基·迪克森,珊·奎汀,Ben,Hall,Danny,Boy,O'Connor,James,Whitecloud,Kaylee,Curry,Jasper,Jones,David,De,La,Barcena,Clarissa,Cozzoni,Isabella,Sanchez,Orlando,Valentino,Dwayne,Chamberlain
秦风,于珊珊,徐小玲,曹健
刘蓓,严屹宽,郑晓宁,刘梓妍
罗西弗·萨瑟兰,罗伯特·施塔德洛伯,查理·卡里克,肖恩·本森,特德·阿瑟顿,卢克·汉弗莱,杰夫·斯特罗姆,亚当·哈蒂格,卡琳·瓦纳斯
金杰特·瓦塔纳辛,格兰妮·拉素冰帕索尔,Itkron,Pungkiatrussamee,Chulachak,Chakrabongse,纳帕·戈马拉昆,Nantawooti,Boonrapsap,塔纳波尔·丘克瑞达,Ethan,Fé,Narubet,Jinpinpetch,Jerapann,Kampan,Chanoksuda,Lertvananont,Sirakoop,Madhanee,Issara,Nadee,Sampao,Nakaiam,Putthipong,Naktong,隆纳西·尼苏,Krisana